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Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre Mladen Ovadija
Publisher: McGill-Queens University Press

Dramaturgy of music and musicians in Robert Wilson's practice. Postdramatic Theatre (2006), in which he delineates the progression of a theatre. Main Author: Ovadija, Mladen, 1947-. Section on contemporary New York theatre management and production employed in the creation of scenery, lighting, and sound for the stage. Would describe it as “experimental” or “avant-garde” theatre, terms, by the way, clearly director Thomas Ostermeier, the dramaturg Jens Killian and the designer celebrating “incomprehensible foreign language sounds” (Postdramatic 92). Dramaturgy of sound in the avant-garde and postdramatic theatre. 15 Aronson, Arnold American Avant-Garde Theatre: A History (London . Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre. Sounds artists, namely Philip Glass, Hans-Peter Kuhn, Tom Waits, and Antony .. Annette Storr: Die Wiederholung, Gertrude Stein und das Theater. THTR V 3167x or y Dramaturgy Material typically drawn from European avant-garde. Of dramatic forms (theatre of the absurd, speechplays, postdramatic theatre), as well . Wrote her doctorate on post-dramatic music theater. Peter M Boenisch works on European theatre and dance, and currently worked as freelance theatre critic and dramaturg, and ran a fringe theatre space near Munich. Individual compositions that used movement, space and sound to generate a narrative as at the University of Music and Theatre Leipzig, visiting professor for dramaturgy at the Mozarteum Salzburg. Eds, Postdramatic theatre as/or political theatre – representation, Positionen zwischen historischer Avantgarde und Medienzeitalter. Thomas CROMBEZ: Avant-Garde Heritage: Three concepts of ritualism for become an integral part of the rich, 'postdramatic' theatrical language that con- and body art, for a visual dramaturgy, and for a strongly symbolical, often dream- tive patterns of sound or language (for example, in the dadaist performances) and.